Afterparty characters4/28/2023 Apple TV PlusĪnna Hollingsworth served as supervising director of animation and worked with Shadowmachine, the company behind “Bojack Horseman” and Lord and Miller’s upcoming “Clone High” reboot. The five animated versions of Zoë (Zoë Chao) become one. She becomes a cartoon in her mind’s eye, splitting into multiple versions of herself, including the anxious, strait-laced identity she embodies daily, a secret “fun Zoë” who rarely sees the light of day, a stoner persona, a tiny “rage Zoë” and a literal “mama bear” who emerges when it’s time to protect her young daughter Maggie (Everly Carganilla) from the mistakes of her ex-husband Brett (Ike Barinholtz). ![]() Written by Lord and Rachel Smith, the episode sees Zoë, a creative teenager-turned-art teacher-turned vice principal, sit down with Detective Danner to explain the events of her night as she recalls them. And that’s what I thought all the craft departments did excellently.”Ī team of animators led the way on Episode 6, which focuses on Zoë. You have to actually execute it really carefully. ![]() ![]() “You can’t just execute a funny send-up of musicals in a sloppy, silly way. “The thing that I was really impressed with about Kat on set was that she was super playful in designing fun things, and then quite intense about making sure the silhouettes looked great and people were in sync and it felt like it had the snap of a well-executed musical number,” Lord says. While Burns describes the song as more “waist down” and “vibey,” she instructed Demetriou to be “bouncy, happy and offbeat.” Hilariously, when Demetriou steps forward to deliver his own rap verse, he’s immediately interrupted by Schwartz. For example, true to his painfully awkward character Walt, Jamie Demetriou wasn’t invited to rehearsals for “Two Shots.” “We thought it would be funny for Walt to be in the background, trying to dance along but not knowing the moves,” Miller says. The choreography also smartly reflects character dynamics. She ended up shaping the choreography around his “fast footwork” and even threw in a breakdancing move called the “coffee grinder” because “it was impressive and he could do it.” Before plotting out steps, she worked with Schwartz to gauge his natural physicality. Choreographer Kat Burns, also from “Crazy Ex-Girlfriend,” had a similar task. Schwartz had never sung or danced professionally, so Lord and Miller arranged the music in a key he could hit. They passed them to their “Lego Movie” collaborator Jon Lajoie, who then incorporated those ideas into his own versions. Jack Dolgen was hired to write Episode 3 thanks to his experience on the CW musical comedy series “Crazy Ex-Girlfriend.” When it came time to actually craft the songs, he wrote lyrics with Lord and Miller. Yasper (Ben Schwartz, middle) performs “Yeah Sure Whatever” with Jennifer #1 (Tiya Sircar, left) and Jennifer #2 (Ayden Mayeri, right). “There’s the old show tune-type, there’s ‘Hamilton’-type stuff, there’s ‘High School Musical.’ We decided that each of the songs was a different type of musical.” “We had a long discussion about there’s a lot of different types of musicals,” Miller says. “And how can we make a virtue of imagining this as a series, so that it’s not just making it longer - it’s introducing possibilities.”Īniq’s best friend Yasper (Ben Schwartz) is the protagonist of the third episode, and as an aspiring rapper, his story is told as a musical complete with three original songs: hip-hop track “Two Shots,” spirited pop number “Yeah Sure Whatever” and wistful ballad “Three Dots From Stardom.” The differing styles of the songs first emerged from a conversation about visual plans with cinematographer Carl Herse. “It’s also, how do we make this harder on ourselves?’” Lord laughs. It was like, how do we push this even farther? And the characters’ personalities lent themselves to things like rom-coms and action movies and musicals.” So the genre stuff came later in the development. “If we took the time to see the world through their eyes, we might see them as more than just a two dimensional caricature of a person. It was really a show that ended up being about empathy, and how we don’t know what another person is going through,” Miller tells Variety. ![]() “The more different each person’s point of view became, the funnier and more interesting the show became. When he and Lord began toying with an episodic format instead, they had the idea for a multi-genre project - what they call a “comedic ‘Rashômon’” - where each character gets their own episode, and each episode is expressed using the conventions of a different genre. Miller first imagined a murder mystery set at a high school reunion over a decade ago, but he’d originally pictured it as a feature film.
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